Shaurya movie poster
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An incident in the family spurs violence but here he is speaking for all. Teja shares, “We took cinematic liberties to execute the narration. It is an emotional action film and Shaurya is not playing a vigilante. The film goads women to be conscious and aware of what’s happening around them. The trigger point of the story is the Nirbhaya incident that disturbed the country. Shaurya wrote the story and Phani and I developed the screenplay.” I am a screenplay writer and since I was looking for an opportunity, I agreed. Teja goes down memory lane and recalls, “One fine day he (Shaurya) told me he had a story that he had written I heard it and kept giving inputs. His interactions with Shaurya helped him strike a rapport. While seeking opportunities, Teja got into a digital promotional company as a content writer there he met Naga Shaurya who had approached the company for the promotions of his film, Chalo. After returning to India, I didn’t find many opportunities and I also lost contacts during those three and a half years.”ĭuring that phase, he met many producers who wanted him to direct films with a small budget, but he had decided to direct a film only if it has a reasonable budget. I had the chance to intern for a few films.
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A sequence can be written in seven different ways. Teja observes, “What I learnt in India about cinema is different from that I learnt in the US. There, he applied to a film school to learn screenplay writing and got busy studying both the subjects. His parents sensed his interest in films and sent him to the U.S.
![shaurya movie poster shaurya movie poster](https://i.pinimg.com/originals/49/2e/67/492e674380675b6b1dc765166371b041.jpg)
It was in Hyderabad that Teja learnt everything from scratch and got to know about all the departments. When I heard that the same film is being remade, I contacted Jeevita Rajashekar and worked as an AD in Hyderabad,” shares Teja. “Before that, I interned for Soodhu Kavvum for a month without my parents knowledge. The Tamil film Raja Rani starring Nayantara spurred his interest to join films and he began working as an assistant director in Gaddam Gang, the Rajashekar-starrer which was a remake of the Tamil film Soodhu Kavvum. While studying engineering in Chennai, he shot a short film on his mobile. I was a silent participant films influenced me subconsciously but I continued with academics,” he says. “I was interested in films since my V std and I remember the post-mortem of movies my father would indulge in after returning from the theatre. He narrates how he swam against the tide to become a director. At 26, Ramana Teja will be making his debut as a director with the Telugu film Aswathama, starring Naga Shaurya and Mehreen Kaur Pirzada, that is scheduled to release on January 31.